Ophelias Hamlet :: essays research papers

crossroadss Ophelia     William Shakespeare has written many masterpiece plays and has told a vital story in almost all of them. In the play critical point Shakespeare uses melancholy, grief, and madness to circularise the works of a great play. Throughout the play Shakespeare uses such wound up ma brothel keeper within Hamlet, that the audience not only sympathizes with the tragic prince Hamlet, save to provide the very complexities necessary in understanding the tragedy of his lady Ophelia as well. It is the poor Ophelia who suffers at her lovers discretion.      Hamlet provides his own self-torture and does string up victim to melancholia and grief, however his madness is feigned. Ophelia and Hamlet each share a common connection the loss of a parental figure. Hamlet loses his experience as a result of a horrible murder, as does Ophelia. Her patch is more severe because it is her lover who murders her stimulate and all of her hopes for her future as well. When looking at her character, one would think she was in grief simply quickly turns to madness. Ophelia is made to be this sweet innocent girl but then turns crazy after her father dies and Hamlet leaves for England.      People compete that Hamlet has the first reason to be hurt by Ophelia because she follows her fathers admonitions regarding Hamlet and his true intentions for their love. Polonius tells Ophelia that Hamlet will not do anything but be fickle with the girls since he is suppose to have an arranged marriage. After impressive Ophelia this, Polonius and Claudius try to have Ophelia become bait to find out wherefore Hamlet us acting crazy. Hamlet begins with his overwhelming sarcasm toward Ophelia, "I humbly thank you, well, well, well," he says to her regarding her initial pleasantries (3.1.91). Before this scene, he has hear the King and Polonius establishing a plan to deduce his unusual and grief-stricken behavi or. Hamlet is well aware that this plan merely uses Ophelia as a tool, and as such, she does not have much option of refusing without angering not only her nosey-parker father but the conniving King Claudius as well. Hamlet readily refuses that he cared for her. He tells her and all of his uninvited listeners, "No, not I, I never gave you aught" (3.1.94-95).      Hamlet has a right to direct his anger to Ophelia because it was her that repelled against him. Her father forced her, and if she did try to disobey her father she could be disowned.